Film storyboard translated into pencil and pastel

Film Sketch
Cinematic framing translated into the touch of pencil and pastel, balanced between documentary realism and illustration.
Style × subject matrix
4 contextsVisual DNA
7 axes · 0–100Seven adjustable axes set the character of the image: line rigorous or organic, colour muted or rich.
Acceptance criteria
3 bans · 3 fail conditionsCheck each frame against these: bans must not appear at all, and any fail condition voids the result.
The key visual is the only anchor: the light-dark relationship and the horizontal-line framing are set by it; change the subject, never the structure of light and shadow.
Bans · prepended to the prompt by priority
- 01no hard ink outlinesThis style models form with light and shadow; an outline collapses the image into comics
- 02no evenly spaced parallel hatching covering the frameMechanical screentone-style hatching covers up the gesture
- 03no flat frontal lightingWithout a directional key light, the wide frame has no drama
Fail conditions
- ✗no clear terminator between the brightest and darkest areas
- ✗horizontal lines do not dominate the framing
- ✗pure color blocks beyond the desaturated film range
It should hold up as storyboard art enlarged to screen size.
Style recipe
11 reusable elements
The recipe is the wording this style carries into every prompt, so you don't rewrite it.
Widescreen cinematic framing, horizontal lines dominate
Gesture-driven pencil hatching
Desaturated film gamut
Directional key light, strong light-dark contrast
Pencil, pastel, coarse-tooth paper
Simulated grain layered with paper tooth
Realistic, softened by handwork
Quiet, dramatic, restrained
cartoon, flat vector, oversaturated
Film storyboards / Kurosawa composition analysis
Style object
YAML
The style object is the recipe, criteria and DNA as machine-readable text: download it, or feed it to any model.


